One of the world’s most (in)famous works of art has arrived in Melbourne, ripened just in time for Melbourne’s glamour event for art: Melbourne Gala 2023.

Without peeling away the bare naked observation that many of us have these curvatured pieces in bowls at home and an entire reel of duct tape in the cupboard, nothing communicates ‘wow’ like the real thing sticking to a wall in Melbourne’s National Gallery of Victoria.

As people study and gaze upon the yellow plantain, there is one further sticky observation to make: the original didn’t make it to Australia. Presumably, it became banana pulp; all $120,000US of it! Even then, the world’s second most famous banana (let’s not forget bananas in pyjamas), was substituted out when the original was eaten as an unofficial piece of performance art! Let’s not worry about details.

I first wrote about Maurizio Cattelan’s banana back in 2019 and never dreamed that one day we could view and goo and ga over (and maybe gobble) it here in Melbourne.

As our artistic geniuses examine and ponder the significance of a banana stuck to a wall, let me throw in my 2 cents worth. My opinion may not be worth the prized $120,000 or the $395 that bought you a ticket for opening night, but then again, neither was the bag of bananas I purchased from the supermarket.

Joking aside, I think there is something to this work by Maurizio Cattelan’s work, titled ‘Comedian’.

The Italian satirical artist has created art from real life and sometimes zany objects. His most famous piece was stolen and presumably melted down: a $10 million toilet! Comedia uses two common objects: an overripe banana stuck to a wall with a strip of duct tape. The work was originally exhibited at the Miami Gallery, Art Basel, before being sold for $120,000US.

Before the mockers mock and critics criticise, it is worth observing the success of this Cattelan original. Some might say that the work itself should be subject to ridicule. Add a $120,000 price tag, and the jeering and sneering is more than audible. But the story of this captivating banana isn’t yet finished. A performance artist by the name of David Datuna visited the Art Basel and while admiring ‘Comedian’ up close, he committed the great heresy of reaching out and touching the banana. He didn’t stop there. He ripped the banana and its duct tape from the wall and then proceeded to peel the banana and eat its flesh. Onlookers gasped while others laughed. A security guard appeared, horrified. Datuna exclaimed that his was a work of art and he gave it the name, ‘Hungry Artist’.

He was quickly taken away but later emerged as a free man; free to perform and eat again.

Posting on Instagram he said,

“Art performance by me. I love Maurizio Cattelan artwork and I really love this installation. It’s very delicious,”

The director of the gallery, Lucien Terras,  told the Miami Herald,

“[Datuna] did not destroy the artwork. The banana is the idea”.

The $120,000 banana has since been replaced with a fresh banana.

I don’t recommend anyone trying the stunt here in Melbourne. But as thousands flock to admire…or scorn, let me ask this question, who is acting the fool? At the time of the infamous art meal, I recall friends rolling their eyes all over social media and decrying the waste of money.  People were quick to point out the foolishness And now Melbourne has bought the banana…for $1.20 from Coles on Elizabeth Street!

Who is the fool? Maurizio Cattelan? After all, all he did was take a banana and stick it on a wall. Far from acting the fool, Cattelan is looking at us and laughing with a $120,000 wry grin, shaped like a banana. More significantly, Cattelan’s genius lies in successfully drawing us into conversation and debate about a slightly smelly piece of fruit. We are the suckers, falling into Maurizio Cattelan’s world of satire. The banana isn’t the subject, we are the subject. Even eating the art piece forms part of the ever evolving expression that has been set in motion by the artist.

So are we the fool? Well, we are certainly silly monkeys for eating into his artistic expression, and then, of course, there’s the fool who paid $120,000 for old fruit and a strip of duct tape!

In the world of commonsense, we are the fool as we offer up our half-digested opinions about a piece of fruit stuck to a wall. However, the world today isn’t ruled by reason. We have become eager participants in Cattelan’s pantomime. In this upside-down world where right is now wrong, and wrong is lauded, and where such divisions are even removed altogether, the only fool here is the security guard who dared assume that eating the banana was an act of vandalism. And yet, as Lucien Terras has declared, even the guard has become an aspect of the artist’s expression.

Art has merged into life. Or should that be, life has merged into art? Everything becomes art. We are the artist’s subject as much as that banana, and all the subsequent bananas that will replace the mould and smell.

As far as originality is concerned, Cattelan’s object is little more than a spin-off from Andy Warhol’s portrait of a banana. He is simply replacing a painting with the object itself. And yet, here we are, talking about a banana.

Now that we’ve established that all of us are fools and yet none of us is the fool, is there a right way to be looking at ‘Comedian’? Is there any single interpretation of ‘Comedian’ that is the right one? Indeed, should we even be talking in such categories?

The sculpture isn’t designed to elucidate a set response but to create an entire spectrum of reactions. It is a portrait of the absurd and the absurd is us. There is no fixed meaning, just meanings. There is no primal purpose, just a bunch of ripening and then slowly rotting contributions.

I’m not quite sure whether ‘Comedian’ is mocking today’s avant garde or is an example of its stupidity (apologies Melbourne). Either way, it is reveals something rather sad and disillusioning about our society. What if the real world is also without overarching meaning and design? What if all we have is 8 billion opinions and convocations and divisions? It would be a truly satirical place to live. In such a world, why shouldn’t we eat and destroy an expensive work of art? Why shouldn’t we deride or laugh or even destroy? Why not spend $120,000 on a banana instead of giving the money to charity?

A universe without God is such a world. In such a closed material construct the only fool is the one who stands up and says “no, you mustn’t do that”. Instead, let people be, to steal, to take, to laugh, to admire, and however else we choose to express ourselves.

If Cattelan’s ultimate objective was to communicate the irreverence and heresy of particular meaning, the joke rests finally on him, for it was after all necessary for Cattelan to image the idea in his mind and then to make it with his hands. There is no art without the artist. Even in the aleatoric movement of John Cage and company, the author could not fully remove himself.

The universe God created and the place in which we live are not such places. It is filled with careful design and purpose. Not all opinions and reviews are equal. Not every action is good. Not every investment is wise or useful. The scary thing is that this world’s creator takes an active interest and he expresses concern for how we treat his creation including one another. As Psalm 2 indicates, he is a God who laughs and scoffs at us for deluding ourselves into pretending that our speculations and philosophising can subvert and replace his revelation.

“The One enthroned in heaven laughs;

    the Lord scoffs at them.

He rebukes them in his anger

    and terrifies them in his wrath, saying,

“I have installed my king

    on Zion, my holy mountain.” (Psalm 2)

How much better is the portrait God has given us of his creation. How much more stunning and meaningful and satisfying is the Creator’s plan for the canvas on which you and I exist and have our being. Indeed, it involved the artist entering his own creation for the purpose of redeeming and reconciling us to His Divine purpose. This doesn’t end with the loss of creative freedom, but with finding greater freedom where we are no longer consumed for the value of an overripe banana.

“In the beginning was the Word, and the Word was with God, and the Word was God. 2 He was with God in the beginning. 3 Through him all things were made; without him nothing was made that has been made. 4 In him was life, and that life was the light of all mankind. 5 The light shines in the darkness, and the darkness has not overcome it…

9 The true light that gives light to everyone was coming into the world. 10 He was in the world, and though the world was made through him, the world did not recognize him. 11 He came to that which was his own, but his own did not receive him. 12 Yet to all who did receive him, to those who believed in his name, he gave the right to become children of God— 13 children born not of natural descent, nor of human decision or a husband’s will, but born of God.

14 The Word became flesh and made his dwelling among us. We have seen his glory, the glory of the one and only Son, who came from the Father, full of grace and truth.”